Customer Rating:
Summary: This movie truely is wonderful
Comment: Such a fantastic animation i enjoyed both the sub and the dub a lot.It was great value for money,One all the family can enjoy 5 stars.

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Customer Rating:
Summary: So bad that it takes 7 out of 9 lives from the poor lil' guy.
Comment: I haven't posted review much lately for several reasons. Renting movies like a mad man thanks to a certain site, loving my new Star Wars collectibles, getting ready for a baby in less than 5 weeks, finding a new room mate, reorganizing things, etc. Not to mention that I've just plain lost interest in posting my usual long text entries be it here or on my site. But recently, I was so disappointed and bored with a movie. That movie, is the one that this review is for obviously, and I wish it weren't so. Puss 'n Boots was a favorite tale of mine. There was even a game for it on the NES in the early 90s, of which I loved too. The do-gooder cat didn't get much else in the way of entertainment or anything until Shrek 2 just a few years ago. I guess the little dude's getting his own movie now as well. That's cool since he's one of the most overlooked heroes in fairy tales. But recently, I was recommended this title, and decided to give it a shot. A "lost classic" all the way back from 1970? And that overrated director, Hayao Miyazaki had something to do with it? Well, my girlfriend loves all his work, while I've only been fond of maybe 4 movies so far, but I decided to bit the bullet- see how his early work was. Well, as it turns out, he barely had anything to do with this, and it's easy to see why it's never mentioned with his other titles. Puss 'n Boots was an immense waste of time, and it even caused me to doze off for 5 minutes, despite me working out just an hour before watching and being completely pumped.

If you aren't familiar with the original fairy tale, it's ok. Puss 'n Boots' name is self-explanatory: he's a cat in boots, but presents himself as a musketeer of sorts. The hat, the cape, the sword, he's really quite the showman. But here, his name's Pero for whatever reason. Early on we get a very quick shot of him being yelled at by some high ranking cat (who is never explained ever again) for having saved a mouse simply because "he was the under dog". Pero is ordered to be executed, but escapes, only to be followed by 3 blundering cats who worked for said high ranking official. They follow him endlessly in order to get him to either kill a mouse in front of them so he won't be seen as a traitor, or kill him instead. Pero ends up running away to a small town where he sees the male equivalents of Cinderella's wicked stepsisters, as they degrade their brother who does all the work for them. Their father passed away, and they're splitting his fortune between the two of them, leaving Mr. Cinderella...I mean, Pierre, out of it entirely. They kick him out after Pero creates a ruckus while trying to help, and the two wander the land. A very questionable montage and song play which I can't even begin to talk about here since kids might read this, and they eventually make way to a castle and its village. The king's daughter is to marry the richest, bravest man in all the land. All the people who try out for the role are duds, but then, an ogre named Lucifer barges in. He certainly has enough tricks to wow the king, but of course, his daughter hates him. Lucifer gets mad and gives the king 3 days to change her mind for her. Pero gets Pierre to try and marry the princess, while STILL avoiding the 3 blundering cats, and this all leads to a very drawn out showdown between Lucifer and...every other main character in the movie. I'm serious.

Yes, the entire last half of the movie deals with the entire gang in Lucifer's lair, whether they're actually fighting against him or not. Pierre goes off to save the princess, as does Pero who wants Pierre to get something nice for a change. The 3 blundering cats somehow follow them there, as do a small group of mice that Pero spares the lives of. All these characters in the "final battle" at once got old fast. The first half of the movie was slow enough, but later on, I kept having to check the movie's case to see how much longer we had to sit through this. My girlfriend, who shares the same respect for animation that I do, kept giving sighs every 5 minutes. I could tell she wasn't interested, but didn't say anything. I kept expecting something good to happen, but got nothing other than that off-putting montage earlier in the movie. It should be said that this really isn't much of a story about Puss 'n Boots except for the first part of where Pero and Pierre take on Lucifer, which I was expecting to be the end of course. Pero, while he's the title character, really doesn't do a whole lot in the movie. It's really Pierre and the princess' movie, if anything. And Lucifer got an awful lot of screen time as well- far more than Pero did. It's just too bad he was a crummy villain, saying his name in almost every sentence, and seeming like a combination of Bowser from the older Mario games, and Wile E. Coyote. I know this movie was made in the 1970s, and was more or less Japan's attempt at a Disney movie (don't deny it- the little musical numbers and scenes and characters that echo Sleeping Beauty, Peter Pan and several other big name titles are obvious), and it was made for kids, but I couldn't see putting my kid through this, no matter how bad she may be acting at a given time.

If there's ANYTHING good I have to say about the movie, it's that it doesn't take itself seriously 100% of the time. There are a lot of classic Warner Bros. moments, like walking on air then looking down, only to fall down...Pero and the 3 others dueling, only to have their swords break, then they take a time out to fix their weapons...and a scene where Lucifer sticks his head in a clock and gets it caught between two gears, making it spin in circles, then it rewinding back in place when he gets out of there. Nevermind that it should've killed him via breaking his neck where Pierre's sword stabs didn't do anything to his stomach, but it was still a nice touch, even if it didn't even make me give a small breathy laugh to myself. I really, really can't recommend this movie to anyone unless they absolutely need to see a cat in boots with a big hat running around. The second you see a new character introduced, you can immediately predict how things will turn out for them.

Since this was made over 30 years ago, and isn't exactly an in-demand movie, the picture quality didn't get much treatment. It says that it's remastered, but doesn't look that great. Aside from there being no noticeable grain or artifacts, some things did look out of focus at times. The audio on both Japanese and English tracks are equally average, though I noticed a tiny bit more fuzziness in screams on the English track. For those who think the original language is always best for some stupid reason, the English one here is pretty good.

There's not much in the way of extras here, just some tacked-on stuff. Aside from the cleaned up print and original language track, all we get are things that the box claims as "rare", but that's only because not many people remember this movie, or even saw it, I'm sure. There are some text interviews that you can already find online, the original trailer, a photo gallery of production stills in black and white, and...ok, that's everything. Trust me when I say that if you don't check these out, you won't lose any sleep over them. Even now, after watching the movie and all the extras just a little over 2 hours ago, I had to pop the disc back in to even remember what there was on here- it's that forgettable. But it's more than I woudld've expected, and than it deserves, so it gets another star there.

Miyazaki fanatics, go watch something good. Anyone else curious like I was, especially by the cute box art, it's only worth renting if you really have nothing better to do -at all-. It pains me to say that about a beloved character like this, but you're better off waiting for his next appearance in the Shrek movies and his own, no matter how long of a wait that is. Definitely not worth the full price here.

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Customer Rating:
Summary: Not So Long Lost Classic
Comment: American fans of this TOEI animated classic have been waiting a long time to see this early example of Hayao Miyazaki's work on DVD, even longer if they missed its several (at least 3) now long gone VHS releases. What's more, for those of us who remember Fred Ladd's well-done English dubbing that was first shown on American TV so long ago and later released on VHS, Discotek Media has wisely included it as the second audio track. The English audio is a little the worse for wear (though in better shape than the Vestron Video release), and the English credits are unfortunately missing, but unless and until someone wants to pony up the money for a modern re-dubbing, it is better to include it than not because purists can always choose the Japanese audio track with English subtitles.



(Parental note: the presumably more recent optional English subtitles, which vary considerably from Fred Ladd's English dub, contain a couple of frequently used exclamations some parents might find a little questionable; suffice it to say that somebody may have forgotten he was subtitling a children's movie.)



Miyazaki is listed as a key animator on this extremely loose adaptation of Charles Perrault's "Le Maître Chat Ou Le Chat Botté", but as usual with Miyazaki his contributions undoubtedly exceeded even his listed credits. A text interview with the director suggests that he did his damnedest to influence character design to the extent that "his" version of the title character is said to be noticeably different ("wilder") in the action scenes he drew, even in the released version. Then there is the reappearance of so much of Puss 'N Boots in Miyazaki's later work. The wedding in Lupin the III: The Castle of Cagliostro (Special Edition) and the climactic struggles over the possession of Clarice's ring in Lupin the III: The Castle of Cagliostro (Special Edition) and Sheeta's necklace in Castle in the Sky look to be clearly based on more comical scenes in Puss 'N Boots, and both the design of Cagliostro's Castle and the pattern of partial collapse of the floating city of Laputa look to be too similar to Lucifer's castle for coincidence. Now there is no question that the animation will seem a little primitive and dated compared to Studio Ghibli's work, but it holds up rather nicely for its age.



I hesitate to say too much about the plot because no matter how many versions of Puss 'N Boots you've seen, you've never seen anything like this. It has only marginally more connection to Perrault's Puss 'N Boots than Miyazaki's Castle in the Sky does to Jonathan Swift's Gulliver's Travels, and given how heavily that highway has been traveled, that's a blessing IMHO. Let's just say that this version set in a partly talking animal world includes a back story that reveals Pero, the puss in boots, to be a fugitive from justice from a kingdom of cats under sentence of death for saving a mouse's life; 3 cat assassins on his trail under orders to see Pero dead or "reformed" (killing mice again) or forfeit their own lives, who make up in persistence and resilience what they lack in intelligence; a gang of clever mice thieves; 2 scheming brothers; a beautiful princess being forced to marry an all-powerful, magic-wielding devil-king, who is hilariously infatuated with her; a not-the-sharpest-knife-in-the-drawer pauper of a miller's son who becomes increasingly uncomfortable with lying to a princess he is falling in love with; and after the traditional "ending" of tricking the bad guy into magically transforming himself into something small and edible fails, a hilarious and deadly game of "Button, button, who's got the button?" up, down, and all around Lucifer's crumbling wreck of a castle.



Note: This first ever wide screen release restores at least two sight gags spoiled by the pan and scan video releases. This DVD also includes a "fast play" feature that plays and replays the movie continuously after just one iteration of the main menu animation; however, as noted above, it defaults to the Japanese version. At least all subsequent replays will be with the language you select if any. Miyazaki fans will find it interesting to compare and contrast "Puss 'N Boots" with the later Animal Treasure Island (1971), another long lost (until recently) TOEI classic that Miyazaki worked on and Fred Ladd dubbed into English. TOEI produced at least two sequels though Miyazaki had nothing to do with them: "Ringo Rides West" and Puss 'N Boots Travels Around The World. Both were released on VHS in the mid-80's, and both are long gone now. Though IMHO inferior to Puss 'N Boots, both are worth a look by fans of classic children's anime, especially the downright surprising Ringo.

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Customer Rating:
Summary: We need this movie on DVD
Comment: This is an amazing movie that I wish would be released on DVD, don't miss it.

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Customer Rating:
Summary: Dated, but PURR-fectly entertaining!
Comment: If THE WONDERFUL WORLD OF PUSS 'N BOOTS was theatrically released in today's era, it probably wouldn't hold a candle to any of America's other animated features and disappear without a trace. But this is a Japanese Anime, and, in its native land, it was a huge box office success. Titled as "Nagagutsu o Haita Neko", the production was released in 1969, and the title character, Puss 'N Boots himself, named Perro (or Perrault), became a mascot character for the animation studio, Toei. An interesting fact about this film is that Anime pioneer Hayao Miyazaki is credited as one of the animators -- in fact, he was responsible for the key animation of the climactic, hang-on-to-the-edge-of-your-seat finale. Fans of Miyazaki's work will notice how similar it is to the climax of THE CASTLE OF CAGLIOSTRO.

Compared to today's standards, the animation is poor, but at the same time interesting to look at. The entire story is expanded, altered, and spiced up similar to a Disney treatment of a classic fairy tale, but its artistic style is somewhere between a Hanna-Barbera or a Warner Bros. cartoon. This almost sounds like a drawback, but it provides for some silly, funny, and occasionally slapstick moments. It also feels perfect for this kind of movie, even if at times it screams Disney. (Not that I think of it as a bad thing; I'm rather fond of Disney movies even to this day. ^_^)

Don't expect a faithful retelling of the classic fairy tale PUSS 'N BOOTS -- this adaptation adds -- and sometimes embellishes -- a lot of cute, funny elements which make it a lot of fun. The hero, Perro, a cat musketeer pursued by three chief-of-police felines (he committed the ultimate "crime" of saving a mouse's life), befriends a young miller, Pierre; soon the two are off to seek their fortune. With clever scheming (and a lot of tall "tail"-telling) the cat manages to help Pierre pose as the Prince of Carabas in order to woo the lovely Princess Rosa. But the wicked ogre, Lucifer, also wants Rosa, and kidnaps her on the night of the full moon. Perro and Pierre set off to Lucifer's creepy, macabre castle to save her and outsmart her captor. Given that this is a fairy-tale, the ending is very predictable -- yet watching it unfold is only half the fun. Instead of just simply killing Lucifer off by having Perro pull the "trick him into changing into something edible" trick, the script (written by Hisashi Inoue and Morihisa Yamamoto) extends the climax into a series of chases, slapstick gags, and, as mentioned, a final confrontation scene which is breathtaking to watch, even if the artwork is dated. (Incidentally, director Kimio Yabuki was also responsible for another fairy-tale Anime, the little-known SWAN LAKE.)

I understand that there are Disney haters in the world, and will probably look for things to complain about this loose retelling; particularly the comic mice sidekicks and four incidental musical numbers. But there are others (like me) who won't mind at all -- especially if they're fans of Disney and their adaptations of fairy tales. The mice provide a lot of humor, and, although the lyrics in the English version sound awkward and uninspired, the songs never feel intrusive and are fun to bounce to. (The only exception is Princess Rosa's number, which is as slow and as lovely [but not sappy] as any romantic ballad.)

THE WONDERFUL WORLD OF PUSS 'N BOOTS was given a limited U.S. release to the Saturday-morning kids' market, along with other productions Toei produced, including JACK AND THE WITCH and TREASURE ISLAND. The English dubbing was produced by Titan Productions, Inc., with direction by Fred Ladd. Available from HI-TOPS VIDEO (where I first saw the movie) as well as MEDIA VIDEO and VESTRON VIDEO, the voice acting is very lively, but there are problems. For one thing, the voices, with the exception of Princess Rosa, all sound like they're being acted by one actor. (And Perro sounds, oddly, like Al Jolson.) In other words, it's not very high quality. The words don't always fit the mouth movements well, and some lines occasionally come off as stilted and a little too fast. Such flaws are probably best to be expected, since this is an early dub -- recent English track productions have far outclassed past efforts. Still, considering that this is probably the only dub of the film available in English (and that the Japanese language track has not been around in the U.S.), it's not so bad -- unless you count the occasionally sloppy lyrics in the songs and Perro's sometimes grating voice.

Unfortunately, the movie may be hard to find -- since its 1988 issue, the video has fallen badly out of print and I have heard no news of any new U.S. company planning to give it a second release. Let's hope it does happen someday. THE WONDERFUL WORLD OF PUSS 'N BOOTS may be a dated Anime when compared to more recent efforts (and U.S. folks probably may consider it too "cartoony" for their tastes). Nevertheless, it is 80 minutes of fun, laughs, and action, and a must-see for longtime history buffs, especially if they're interested in seeing traces of Miyazaki's earlier years as an animator before he became a big name. It is a great "cat's meow", indeed.

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