Audience Rating: NR (Not Rated)
Binding: VHS Tape
EAN: 9786305440772
Format: Black & White
ISBN: 6305440778
Label: Turner Home Ent
Manufacturer: Turner Home Ent
Number Of Items: 1
Publisher: Turner Home Ent
Release Date: 1990-04-25
Running Time: 97
Studio: Turner Home Ent
Theatrical Release Date: 1947-11-13

Former private detective Jeff Bailey is trying to live a quiet life, but his past comes back to haunt him. He was once hired by a gambler to find his runaway girlfriend, Kathy. Jeff traced her to Mexico and fell in love. She lured him into double-crossing the gambler, but it was really Jeff who got double-crossed. Years later, Jeff's quiet life is once again shattered as his old criminal associates descend on him. Now he's in deep trouble - someone is trying to frame him for murder.
"Build my gallows high, baby"--just one of the quintessentially noir sentiments expressed by Robert Mitchum in this classic of the genre. Mitchum, in absolute prime, sleepy-eyed form, relates a complicated flashback about getting hired by gangster Kirk Douglas to find femme fatale Jane Greer. The chain of film noir elements--love, money, lies--drags Mitchum into the lower depths. Director Jacques Tourneur gets the edgy negotiations between men and women as exactly right as he gets the inky shadows of the noir landscape (even the sunlit exteriors are fraught with doubt). This is Mitchum in excelsis, with his usual laid-back cool laced with great dialogue and tragic foreshadowing. As for his co-star, James Agee immortally opined that Jane Greer "can best be described, in an ancient idiom, as a hot number." Remade in 1984, unhappily, as Against All Odds (with Greer in a supporting role). --Robert Horton

Customer Rating:
Summary: Classic
Comment: Didn't know what to expect, but a truly great and highly under-rated film. Well worth the purchase!!

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Customer Rating:
Summary: A MOVIE THAT WILL LINGER
Comment:

A great movie from RKO Pictures, 1947, and I was between 3 and 4 years old!

Watching this classic and classy movie again I feel both humor and black humor as intended, noir, as the French termed it. Also, watching Mitchum being treated as a pin ball in a machine, soon makes you want to distrust everyone else in the picture, while looking for the frame too.

It was a difficult movie to be in as almost everyone of note ends up dead and only the two people you would least suspect are the only ones having a shot, no pun intended, at a happy ending.

This is truly a magnificent motion picture that will linger with the viewer, one to be watched again and again. I think I first saw the movie on TV in glorius black and white and not a thing has changed over the years.

If you like Mitchum, Greer, and Douglas this is a film for you. Though most of these folks are now dead they have left us a terrific picture from those far gone days.

Semper Fi.

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Customer Rating:
Summary: Excellent, if not definitive, film noir
Comment: "Out of the Past," a 1947 RKO release directed by Jacques Tourneur of "Cat People" fame, is frequently hailed as the definitive "film noir" by critics, historians, and other "experts." I disagree, although I do find it an excellent film overall. Sure, it stars Robert Mitchum, who, in Roger Ebert's opinion, "embodies the soul of film noir," and he wears a trenchcoat throughout no matter the weather. But from the very first frame, I found it a little short on the atmosphere - the fog and shadows, the rain swept streets, the blinking neon lights - that are the genre's visual style, and the visual style defines film noir more than the dialogue (tough, terse, fatalistic), or the characters (cynical double-crossers or those who become cynical after being double-crossed).

Daylight dominates the early scenes as Mitchum, a former private eye now operating a gas station, is called back to his old profession by Kirk Douglas. Yep, there's a woman involved. There's always a woman involved in noir, this one played by Jane Greer who would join Richard Widmark, another member of the noir hall of fame, in providing support for Jeff Bridges, James Woods, and Rachel Ward in the 1984 remake, "Against All Odds."

Things pick up halfway through as the double-crossing begins in earnest, but though "Out of the Past" has much to recommend it, it is not the best example of this fascinating genre. Try Billy Wilder's "Double Indemnity" or Howard Hawks' "The Big Sleep." Jules Dassin's "Night and the City" is another highlight, as is Lewis Milestone's "The Strange Love of Martha Ivers" and Anatole Litvak's "Sorry, Wrong Number." For more modern attempts at revisiting the genre, you could do no better than Dick Richards' "Farewell, My Lovely" with Mitchum a superb Philip Marlowe.

Brian W. Fairbanks

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Customer Rating:
Summary: A Timeless Film Noir Classic
Comment: For anyone who has interest in the Film Noir genre of film, this movie is the first one you should see. It is the classic Film Noir that many critics compare others to. It has all of the classic plot lines, the detective, the femme fatale, and the villian. This film actually has a more complex plot than many of the same type like The Big Sleep, The Maltese Falcon, and Chinatown; however, it is definitely one of the best.

I won't bore you with repeating the plot line; however, I must say that this is an essential Film Noir classic (and of American film in general).

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Customer Rating:
Summary: "Build my gallows high, baby"
Comment: One of the 'few' prototypical films (Laura, The Maltese Falcon/The Big Sleep, Double Indemnity), that defines all characteristics of the film noir genre. Full of "dead souls and dark alleys", this film gem never slows down. Mitchum is magnificant.

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