Binding: Hardcover Dewey Decimal Number: 741.5973 EAN: 9781593079734 ISBN: 1593079737 Label: Dark Horse Manufacturer: Dark Horse Number Of Items: 1 Number Of Pages: 240 Publication Date: 2008-09-03 Publisher: Dark Horse Studio: Dark Horse
Editorial Review:
Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. Dark Horse Comics further corners the market on high-quality horror storytelling with one of the most anticipated releases of the decade - a hardcover archive collection of the legendary Creepy Magazine! This groundbreaking material turned the world of graphic storytelling on its head in the early 1960s, as phenomenal young artists like Bernie Wrightson and Neal Adams reached new artistic heights with their fascinating explorations of classic and modern horror stories.
Customer Reviews:
Customer Rating: Summary: BOO!!!! Spooky! Comment: If you are a fan of 70's horror or EC comics you'll love this anthology magazine. Many stories are vampire or werewolf related, great supernatural tales of suspense with expected and unexpected twist endings. Customer Rating: Summary: My Personal Halloween Treat Comment: I did a search on the off-chance that I might be able to buy an old Creepy magazine from Amazon. To my amazement, the first five issues were compiled into a beautiful, shrink-wrapped book available from Amazon. I am thrilled that I have a part of my past back again. (I think my mom tossed my magazines on one of my family's many moves.)
The descriptions given by the other reviewers were right on the mark! After reading them, I did not hesitate to buy this beautifully done volume and am anxious for volume 2 to be released. I am thankful that this book arrived in time for Halloween--perfect! Customer Rating: Summary: In glorious black and white!!!! Comment: Wow, the price is right for this compilation. There is some beautiful work here by Al Williamson, Gray Morrow, Joe Orlando, Frank Frazetta, Reed Crandall, Alex Toth. Frazetta does the bulk of the covers which are reproduced in color but everything else is in varying shades of black and white. There are a few clunkers with the stories but the art is really the main reason to buy these anyway. beautiful artwork with twist endings and bad puns. The first five issues of Creepy reproduced at the original magazine size. Don't sit on the fence, BUY IT!! Customer Rating: Summary: Some classic work, by some classic creators Comment: Just an absolute feast for the eyes, Frazetta, Toth, Williamson, Crandall...etc. combined with the stellar writing talents of Goodwin, Orlando, Engelhart how can you go wrong? Artistically the varied styles are a treasure... no "house style" here. The packaging is excellent as well, the reproduction quality matches the talent. This really makes you look forward to the future volumes (as well as the EERIE collections) Darkhorse has a real winner here. If you enjoy the classic art here check out the Tony Robertson's Jim Steranko site (I designed it)
http://www.geocities.com/Area51/Nebula/8650/ Customer Rating: Summary: At long last, the Creepy archives Comment: Wow! I've been waiting for years for the Warren magazine archives, Creepy and Eerie. I wonder, though if Dark Horse is going all the way and reprint the whole series. After issue 17, Creepy became really bad for a couple of years until about issue 30, when "new talent" like Richard Corben, Bill DuBay and Bruce Jones came around and the magazine went on to become the best horror mag of all times (sorry EC buffs, but the Warren magazines from the 70's were tops). Let's not forget the Spanish invasion later on, with the top spanish artists contributing to the magazine.
I wonder also if other Warren magazines will ever get their archives (Blazing Combat is being done by Fantagraphics), but what about my fave sci-fi mag, 1984 (later on, due to copyright issues, 1994) and stuff like The Rook and so on.
The main problem I see with these archives (which are beautifully reproduced, they are even better than the original issues printed on pulp paper), is that, as I said before, some time down the line (when most of the good artists and Archie Goodwin quit) they were really terrible (lots of amateur art and even spelling mistakes in the sophomore texts). Should they also be reprinted to continue the whole run of the magazines, even if the artistic quality was below average? Uhmm, dunno... Let's wait and see what Dark Horse has in mind.
Anyway, now I can finally put away all my old copies of the magazine and read the stories once again in pristine condition.
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