Binding: Paperback Dewey Decimal Number: 142.78 EAN: 9780300115468 ISBN: 0300115466 Label: Yale University Press Manufacturer: Yale University Press Number Of Items: 1 Number Of Pages: 128 Publication Date: 2007-07-24 Publisher: Yale University Press Studio: Yale University Press
Editorial Review:
It was to correct common misconceptions about his thought that Sartre accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture (“Existentialism Is a Humanism”) was to expound his philosophy as a form of “existentialism,” a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the bibles of existentialism and made Sartre an international celebrity. The idea of freedom occupies the center of Sartre’s doctrine. Man, born into an empty, godless universe, is nothing to begin with. He creates his essence—his self, his being—through the choices he freely makes (“existence precedes essence”). Were it not for the contingency of his death, he would never end. Choosing to be this or that is to affirm the value of what we choose. In choosing, therefore, we commit not only ourselves but all of mankind. This edition of Existentialism Is a Humanism is a translation of the 1996 French edition, which includes Arlette Elkaïm-Sartre’s introduction and a Q&A with Sartre about his lecture. Paired with “Existentialism Is a Humanism” is another seminal Sartre text, his commentary on Camus’s The Stranger. In her foreword, intended for an American audience, acclaimed Sartre biographer Annie Cohen-Solal offers an assessment of both works.
Customer Reviews:
Customer Rating: Summary: Excellent Comment: Although this is not exactly an introduction to the theory of Existentialism, it is certainly a much more accessible account of it than Sartre's "Being and Nothingness." Sartre addresses the numerous detractors of Existentialism who posit that the theory is essentially pessimistic and anti-humanistic, that it suggests a cynical and amoral view of the world. Sartre argues that man wills what he is (a variant of Heidegger's Being-Becoming), and thus the theory provides for radical freedom. He writes, "when operating on the level of complete authenticity, I have acknowledged that existence precedes essence, and that man is a free being who, under any circumstances, can only ever will his freedom, I have at the same time acknowledged that I must will the freedom of others" (49). Sartre brilliantly links up this conception of radical freedom with the willing of the freedom of others such as communist are Marxist political action. This lecture is a lucid and rich work of philosophy, and it instigated a number of debates around the notion of Humanism, famously refuted by Heidegger.
This collection also includes a Q+A between Sartre and a review of Camus' "The Stranger," which he remarkably compares to Hemingway in terms of prose style. For Sartre, "The Stranger" is the great modern work exploring the fact of absurdity; he indicates that its primary strength is the co-existence of clarity and ambiguity. Customer Rating: Summary: Brief but refreshing Comment: With both a preface and an introduction, the text gives fair warning that it is not intended as a comprehensive overview of Sartre's thought (of which I am no judge either). Rather, to quote the preface, it is "a clear but simplistic discourse that reflects the contradictions that Sartre was struggling with in 1945," specifically his attempt to reconcile existentialism with communism. While this main text makes for an enjoyable (albeit brief) evening's read, the real treat here Sartre's commentary on THE STRANGER. After reading the terse Q&A session--the criticisms are, to quote the preface once again, "muddled and hostile"--it is extremely refreshing to find theory put into practice. Here Sartre writes lovingly about Camus's novel as he interprets it via close reading and in light of Camus's THE MYTH OF SISYPHUS. On a whole, the text may be somewhat of a hodgepodge, but it is nevertheless a pleasant one; you may find yourself returning to this text not for reference so much as for inspriation.
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