Binding: Hardcover Dewey Decimal Number: 741.9 EAN: 9780300108262 ISBN: 0300108265 Label: Yale University Press Manufacturer: Yale University Press Number Of Items: 1 Number Of Pages: 240 Publication Date: 2005-06-11 Publisher: Yale University Press Studio: Yale University Press
Editorial Review:
3x an Abstraction presents the extraordinary work of three important women artists whose innovative ideas and approaches to drawing had a significant impact on the history of modern abstraction. Hilma af Klint (Sweden, 1862–1944), Emma Kunz (Switzerland, 1892–1963), and Agnes Martin (Canada, b. 1912; U.S. citizenship 1950) approached geometric abstraction not as formalism, but as a means of structuring philosophical, scientific, and spiritual ideas. Using line, geometry, and the grid, each of these artists created diagrammatic drawings of their exploration of complex belief systems and restorative practices.
Noteworthy among the 150 illustrations in the volume are a large number of works by Hilma af Klint, reproduced here for the first time in a major publication; Emma Kunz’s drawings, exhibited in the United States for the first time in 2005; and approximately 20 early works by Agnes Martin. The book also includes writings by each of the artists, an introduction by Catherine de Zegher, seven essays by distinguished contributors, and brief statements from five contemporary artists.
By considering collectively the works of these three artists anew, 3x an Abstraction highlights the artistic contributions of af Klint and Kunz and revisits the work of Martin from a new perspective.
Customer Reviews:
Customer Rating: Summary: Opening the Doors of perception Comment: With a few notable exceptions including M.C. Escher, Dali, and a few others, I'd never really thought of drawing or painting in terms of being a means to an end other than self expression. Af Klint, Kunz, and Martin came from three different parts of the world and from three different generations. Each of them had a slightly different approach to drawing. What they had in common was that they used drawing as a means to explore the inner universe of consciousness and perception. In that regard, they were way, way, way, ahead of their time.
It might be a stretch to call Carl Jung an artist, but he did the same thing through the exploration of dreams. Likewise, Timothy Leary, Richard Alpert, and their cohorts aren't usually considered artists, yet they too explored consciousness and the nature of existence (albeit by different means)along the same lines as the three women represented here.
This is a fantastic book for anyone interested in drawing.
There's an extra reward for those who also happen to be interested in the exploration of the mind, perception, and ultimately, a quest for spirituality.
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